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Burns Night - 25 JanuaryBy Margaret WealeAs a dyed-in-the-tartan Scot I'm delighted to share with you my experience of the traditional Burns Night, many of which evenings I've organised over the years in sincere affection for our National Bard. The Ploughman Poet
Robert Burns was born on 25th January 1759 at Alloway in Ayrshire, the son of a small farmer. Though poor and uneducated, his father was a man of principle whose belief in the importance of human values helped to mould Robert's character. The boy showed an early interest in literature, and was influenced by the popular tales, ballads and songs of Betty Davidson, an elderly lady who lived with his family. When his father died in 1784, Robert and his brother took over tenancy of the farm but, having no capital, their efforts resulted in failure. Out of his poverty and despair, and the passion he felt for Jean Armour, came his wonderful poems. Times were hard, and after what became an unhappy romance with Jean he considered emigrating to Jamaica. To raise money for his passage, he collected his best poems, and in 1786 they were published, with some songs, in what is now known as the Kilmarnock Edition. This volume won immediate success and brought him not only fame but financial reward. As a result, Burns gave up his plans to emigrate to Jamaica and decided to go to Edinburgh instead where he was greeted with acclaim, as he was on a subsequent tour of the Highlands. Nevertheless, he was not able to earn a regular living from his poetry and so in 1788 he took a lease on a farm, at Ellisland, Dumfries. He and Jean, now reunited, married the same year and went on to have nine children. But Burns was to love many women, as illustrated in his love poems, and eventually fathered a further six children! However this farm too soon failed, although he continued to write his poems regardless, including the famous Tam o' Shanter. He found inspiration from the humblest of subjects - his address To a Mouse is well known, but even more famous perhaps are his famous lines To a Louse: O wad some pow'r the giftie gie us Some of his more controversial poems led him into hot water with the authorities, but his pride in Scotland was never in doubt, as demonstrated in these lines from The Cotter's Saturday Night: O Scotia my dear, my native soil!
Had we never loved sae kindly How We Celebrate!
What makes it different? Well first of all the dress code. This is usually formal, so for the gentlemen there is the choice of either DJ (with a tartan bow tie at least), Traditional Highland Dress (Kilt or Tartan Trews i.e. Trousers). For the ladies dress is a long black skirt or kilt, white blouse with ruffle or jabot, and tartan sash. The menu is traditional. Here is a typical 'Bill O'Fare': Cock-A-Leekie Soup The format for the evening is also traditional. Guests arrive to the moving sound of the bagpipes, played by a Piper, in full Highland Dress. Orders for whisky and/or wine are taken in advance. At the appointed time you are invited to take your places at table by the Master of Ceremonies. The Top Table is then led in by the Piper, and accompanied by the usual clapping of hands. When everyone is seated, the M.C. invites the host to say The Selkirk Grace: Some hae meat that canna eat The first course is served, eaten and dishes are removed. As tables are cleared, tots of whisky, to drink with, or pour over the haggis, are served. The Piper enters the room/hall, playing the bagpipes, followed by the chef carrying the haggis. They walk all around the room, showing the haggis to all present, to finish directly in front of the person on the Top Table who is to Address the Haggis. The M.C. then introduces this person, normally in full Highland Dress, and asks him to give the Address.
At this point, it is normal to announce a ten-minute break. After this the M.C. invites a Scotsman seated on the Top Table to propose 'The Immortal Memory'. This is an appreciation of the life of Robert Burns, and can be entertaining as well as interesting. Following this another gentleman from the Top Table gives 'The Toast to the Lassies'. Again this can be a very entertaining toast. The response is, understably, given by a female guest on behalf of all the ladies present. Then comes 'The Final Toast' to 'Oor Toon', usually given by a native of the town where the Burns Night is taking place. The next stage of the proceedings might be a demonstration of Scottish Country Dancing by members of the local Caledonian Society. The M.C. will then invite everyone to participate in Scottish Country Dancing, probably with help from a 'Caller' from the professional group. The evening closes with everyone forming a large circle on the dance floor, to sing Auld Lang Syne - Burns' most famous work and now, arguably, the world's national anthem. Sadly, another Burns Night is over - what a pity we have to wait twelve months to enjoy another!
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